webPulaaku

Littérature francophone / Mariama Bâ

Emerging Perspectives On Mariama Bâ Postcolonialism, Feminism, and Postmodernism Edited and introduced by Ada Uzoamaka Azodo Trenton, NJ : Africa World Press, 2003. 650 pages

Professor Renée Larrier

Department of Women's & Gender Studies
Rutgers University, NJ

Comprehensive Bibliography of and on Mariama Bâ

• Abanime, Emeka. “Review: Une si longue lettre and La Grève des Bàttu.” World Literature Today 54 2 (1980): 327
• Abubakar, Rashidah Ismaili. “The Emergence of Mariama Bâ.” Essays on African Writing I.: A Re-Evaluation. Ed. Abdulrazak Gurnah. Portsmouth, NH: Heinemann, 1994. 24-37.
• Akukiwe, Nwamaka B. “Mariama Bâ.” (Cox 77-82), 1997.
• Ajayi, Omofolabo. “Negritude, Feminism, and the Quest for Identity: Re-Reading Mariama Bâ's So Long A Letter.” Teaching African Literatures in a Global Literary Economy. Ed. Tuzyline Jita Allan. New York: Feminist Press, 1997. [ Women's Studies Quarterly 25 3-4 (1997): 35-52.]
• Alper, Ayse. “Mariama Bâ: Une si longue lettre ou l'arme pacifique.” Frankofoni (Ankara, Turkey) 12 (2000): 225-32.
• Amachree, Igolima T. D. “Mariama Bâ and the Marginal Person: A New Examination and Social Interpretation of Her Novels.” In: Ada Uzoamaka Azodo. Ed. Emerging Perpectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Andrade, Susan. “African Fictions and Feminisms: Making History and Remaking Traditions.“ DAI 53.11 (May 1993): 3894A. University of Michigan.
• Androne, Jane. “The Collective Spirit of Mariama Bâ's So Long a Letter.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Asante, Philomena Ama. “Francophone African Women Writers: A Study of Un chant écarlate by Mariama Bâ and Le Baobab fou by Ken Bugul.” Harvard Honor's thesis, 1992.
• Asante, Samuel Yaw. “The Politics of the Role of the Modern African Woman: Chinua Achebe, Ngugi Wa Thiong'o, Mariama Bâ, and Ama Ata Aidoo.” MAI 32.03 (June 1994): 805. University of Guelph (Canada).
• Azodo, Ada Uzoamaka
  • “Issues in African Feminism: A Syllabus.” In: Teaching African Literatures in a Global Literary Economy. Ed. Tuzylinc Jita Allen. Women Studies Quarterly, Volume XXV, Nos. 3 and 4 (Fall/Winter (1997): 200-207.
  • Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
  • “Introduction: The Phoenix Rises from Its Ashes.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J .: Africa World Press, 2003.
  • “Theorizing the Personal in Mariama Bâ's Novels: Narration as Configmaion of Knowledge.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
  • “Lettre sénégalaise de Ramatoulaye: Writing as Action.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
  • “Stranger Woman, Rebellious Woman: Exile and Immigration in Anne-Marie Niane and Mariama Bâ's Fiction.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
  • “Theme et version: Translation as Acculturation, or Teaching Translation with Mariama Bâ's Une si longue lettre and So Long a Letter.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
  • “Postscripts: From the Author to the Nation.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
  • “Can the Postcolonial Subject be White? The Nightmare of Self (Re)Definition in Mariama Bâ's Un chant écarlate.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Bâ, Mariama.
  • Der scharlachrote Gesang (Un chant écarlate, aus d. Franz. v. Irmgard Rathke) Fischer TB, Frankfurt a. M., 16. Aufl 1998 204s, DM 14.90/ös 109.-sFr. 14-3-596-2746-7.
  • Ein so langer Brief Ein afrikanishes Frauenschicksal. ( Une si longue Lettre, aus d. Franz. v. lrmgard Rathke.) Mire. Nachw. V. Rolf/Italiaander. Ullstein TB, Berlin, 1998 144s DM 12.90/ös 72.-/sFr. 12-3-548-30384-6.
  • Ein so Janger Brief Ein afrikanishes Frauenschicksal. (Une si Jongue lettre, aus d. Franz. v. Irmgard Rathke.) Mire. Nachw. V. Rolf/Italiaander. Ullstcin TB, Berlin, 1998 144s DM 12.90/os 72.-/sFr. 12-3-548-30384-6. DM 10.90/ös 80 -/sFr. 10.50 3-548-24547-l.
  • Une si longue lettre. Dakar: Les Nouvelles Edition Africaines, 1980.
  • So Long a Letter. Trans. Modupé Bode-Thomas. Ibadan and London, 1980.
  • Un chant écarlate. Dakar: Les Nouvelles Editions Africaines, 1984.
  • Scarlet Song. New York: Longman, 1998 (1981). “La Fonction politique des Littératures africaines écrites.” Ecriture française dans le monde 5.3 (1981): 3-7.
• Barthélémy, Pascale. “La Formation des institutrices africaines en A.O.F., Pour une lecture historique de Mariama Bâ Une si longue Lettre.” Clio: histoire, femmes et société (1997): 155-67.
• Bazin, Nancy Topping. “Weight of Custom, Signs of Change: Feminism in the Literature of African Women.” World Literature Written in English 25.2 (1985): 183-197.
• Berriam, Brenda. Ed. Senegalese Literature: A Critical Literature, Boston: Twayne, 1984.
• Blair, Dorothy. Senegalese Literature: A Critical Study. Boston: Twayne, 1984.
• Boateng, Faustine. “At the Crossroads: Adolescence in the Novels of Mariama Bâ, Aminata Sow Fall, Ken Bugul and Khadi Fall.” DAI 56.03 (September 1995 ): 926A. Howard University.
• Boehmer, Elleke Deirdre. “Mothers of Africa: Representations of Nation and Gender in Post-Colonial African Literature.” DAI 53.5 (November 1992): 1515A. Oxford University.
• Borgomano, Madeleine. Voix et visages de femmes dans les livres écrits par des femmes en Afrique francophone. Abidjan: CEDA, 1989.
• Bottegal, Luciana et al. Noci di cola, vino di palma : letteratura dell 'Africa subsahariana in un'ottica interculturale. Roma: Edizioni Lavoro, 1997.
• Bracco, Mercedes. “La Quête d'identité dans L'Aventure ambigüe, Une si longue Lettre et La Mémoire tatouée.” MA Thesis. 1996. Arizona State University.
• Brahimi, Denise and Anne Trevarthen. Les Femmes dans la littérature africaine: portraits. Paris: Karthala, 1998.
• Brown, Ella. “Reactions to Western Values as Reflected in African Novels.” Phylon 48.3 (Fall 1987): 216-228.
• Bruer, Jennifer. “Africa Meets the Occident: The Clash of Two Worlds in the Novels of Mariama Bâ, Cheikh Hamidou Kane, and Camara Laye.” Integral Honors Projects 1992. Syracuse: Le Moyne College, 1992.
• Bruner, Charlotte. Unheard Words. Women and Literature in Africa, the Arab World, Asia, the Caribbean, and Latin America. London/New York: Allison & Busby, 1985.
• Burnet, Sylvie. “Femmes d'Afrique dans leurs appartements: l'espace féminin chez deux romancières sénégalaises.” MA Thesis 1991. University of Colorado.
• Busia, Abena P.A.
  • “Rebellious Women: Fictional Biographics-Nawal el Sa'adawi's Woman at Point Zero and Mariama Bâ's So Long a Letter.” Motherlands: Black Women's Writing from Africa, the Caribbean and South Asia. Ed. Susheila Nasta. New Brunswick: Rutgers University Press, 1991. 88-98.
  • “Words Whispered Over Words: A Context for Black Women's Rebellious Voices in the Novels of the African Diaspora.” Black Feminist Criticistn and Critical Theory. Studies in Black American Literature III. Greenwood, Florida: Penkevill, 1988. 1-41.
• Cazenave, Odile.
  • “Blanche Othello. La Femme blanche dans le couple interracial a travers le roman ouest-africain d'expression française.” DAI 49-09 (March 1989): 2654A. Pennsylvania State University.
  • Femmes rebelles: naissance d'un nouveau roman africain au féminin. Paris: L'Harmattan, 1996. Trans. Rebellious Women: The New Generation of Female African Novelists. Boulder: Lynne Rienner, 2000.
  • “Inscription de la folie et de l'irrationnel dans les textes de femmes.” Revue francophone de Louisiane 7.2 (Autumn 1992): 107-129.
  • “Vingt ans après Mariama Bâ, nouvelles écritures au féminin.” Africultures 35 (fevrier 2001): 7-15.
• Cham, Mbaye Baboucar.
  • “Contemporary Society and the Female Imagination: A Study of the Novels of Mariama Bâ.” African Literature Today 15 (1987): 89-101.
  • “The Female Condition in Africa: A Literary Exploration by Mariama Bâ.” A Current Bibliography on African Affairs, 17.1 (1984-85): 29-51.
  • “Islam in Senegalese Literature and Film.” Faces of Islam in African Literature. Ed. Kenneth W. Harrow. London: Heinemann, 1990.
• Champagne, John. “‘A Feminist Like Us?’: Teaching Mariama Bâ's So Long A Letter.” College English 58.1 (January 1996): 22-42.
• Chirambo, Reuben Makayiko. Chanco Study Notes on Mariama Bâ's Scarlet Song. Zomba, Malawi: Chancellor College Publications, 1998.
• Chossat, Michele Aline. “Identité et quotidien: la femme chez Annie Ernaux, Marie Redonnet, Mariama Bâ et Tahar Ben Jelloun.” DAI 60.09 (March 2000): 3354A. University of North Carolina.
• Chukwuma, Helen. “Feminism and Change in Mariama Bâ's So Long A Letter.” Accents in the African Novel. Enugu: New Generation Books, 1991. 31-38.
• Cooper, Brenda. To Lay These Secrets Open: Evaluating African Writing. David Philip, 1992.
• Corti, Lillian. “Mariama Bâ's Mireille as Modern Medea: The Tragic Implications of Un chant écarlate.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Coulis. Shari. “The Impossibility of Choice: Gender and Genre in Mariama Bâ's So Long a Letter.“ In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Cox, Brian. Ed. African Writers. New York: Charles Scribner's Sons, 1997.
• d'Almeida, Irene Assiba and Sion Hamou. “L'écriture féminine en Afrique noire francophone: le temps du miroir.” Etudes Littéraires. Vol. 24, no. 2, 1991 :42.
• d'Almeida Irene Assiba
  • “The Concept of Choice in Mariama Bâ's Fiction.” Ngambika: Studies of Women in African Literature. Ed. Carole Boyce Davies and Anne Adams Graves. Trenton: Africa World Press, 1986. 161-171.
  • Francophone African Women Writers: Destroying the Emptiness of Silence. Gainesville: University Press of Florida, 1994. 98-122.
  • “Mariama Bâ: Intersections of Gender, Race, Class and Culture.” In: Speaking Up Disclosing Family Life. Francophone African Women Writers: Destroying the Emptiness of Silence. Gainesveille: University Press of Florida, 1994, 98-122.
• Davies, Carole Boyce. “Wrapping Oneself in Mother's Akatado-Cloths: Mother-Daughter Relationships in the Works of African Women Writers.” Sage 4.2 (Fall 1987): 11-19.
• Davies, Carole Boyce, and Adam Graves. Eds. Ngambika: Studies of Women in African Literature. Trenton, N.J.: Africa World Press, 1986.
• Derakhahesh, Derayeh. “Un chant écarlate: The Song of an Exile.” CLAJ 42.1 (September 1998): 91-102.
• DeSouza, Pascale. “Ces femmes qui s'écrivent: Une si longue lettre de Mariama Bâ et Lettres à une Noire de Françoise Ega.” Etudes francophones, 13.2 (Autumn 1998): 63-78.
• Dia, Alioune Touré. “Succès littéraire de Mariama Bâ pour son livre Une si longue lettre.” Amina 84 ( 1979): 12-14.
• Diop, Papa Samba. “Die francophone literature des Senegal und ihre Beziehungen zu den africanischen Sprachen und kulruren— am Baspiel des Wolof.” Ousmane Sembene und die senegaleisische Erzahtliteratur. Ed. Papa Samba Diop et al. Munich: 1994. 190-212.
• Dubek, Laura. “Lessons in Solidarity: Buchi Emecheta and Mariama Bâ on Female Victim(izer)s.” Women's Studies: An Interdisciplinary Journal 30.2 (April 2001): 199-223.
• Dukulé, Abdoulaye. “Nouvelles écritures africaines : Une si longue lettre de M. Bâ.” Francographies : Société des professeurs franfais et francophones en Amérique (1988-1989): 321 -329.
• Dunton, Chris. “ Review: Un chant écarlate. West Africa” 3475 (26 March 1982): 725-726.
• Dwinell, Leslie Morgan. “The Ties That Bind: Cultural Dualities of Four Women Writers.” MAI Thesis 1994. Dartmouth College
• Edson, Laurie. “Mariama Bâ and the Politics of the Family.” Studies in Twentieth Century Literature 17.1 (Winter 1993): 13-25.
• Ekotto, Frieda. “Language and Confinement in Francophone Women Writers.” L'Esprit créateur 38.3 (Fall 1998): 73-83.
• Esonwanne, Uzo. “Enlightenment Epistemology and 'Aesthetic Cognition: Mariama Bâ's So Long A Letter.” The Politics of (M)Othering: Womanhood, Identity and Resistance in African Literature. Ed. Obioma Nnaemeka. London/New York: Routledge, 1997. 82-100.
• Ezeigbo, Theodora Akachi. “Women's Empowerment and National Integration: Bâ's So Long A Letter and Myriam Warner-Vieyra's Juletane.” Current Trends in Literature and Language Studies in West Africa. Ed. Ernest N. Emenyonu and Charles K. Noolim. Ibadan: Kraft Books, 1994. 7-19.
• Fandio, Pierre. “Mariama Bâ et Angele Rawiri: une autre vérité de la femme.” Dalhousie French Studies 30 (Spring 1995): 171-178.
• Fetzer, Glenn W. “Women's Search for Voice and the Problem of Knowing in the Novels of Mariama Bâ.” CLA Journal 35.1 (September 1991 ) : 31-41.
• Fleming, Kathryn R. “Exorcising Institutional Ghosts: Redefining Female Identity in Mariama Bâ's So Long a Letter and Toni Morrison's Beloved.” Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Flewellen, Elinor C. “Assertiveness vs. Submissiveness in Selected Works by African Women Writers.” Bâ Shiru: A Journal of African Languages and Literatures 12.2 (1985): 3.18.
• Frank, Katherine
  • “Women Without Men: The Feminist Novel in Africa.” Women in African Literature Today. Eds. Eldred Jones, Eustace Palmer, Marjorie Jones. Special Issue. African Literature Today 15, 14-34.
  • “Feminist Criticism and the African Novel.” In: Eldred D. Jones. Ed. African Literature Today 14, London: Heinemann, 1984, 206.
• Gallimore, Beatrice Rangira. “Ecriture féminine dans la littérature noire : Bâ et Beyala.” Missives (octobre 1992): 64-70.
• Gavioli, Davida. “In Search of the Mother's Lost Voice: Mariama Bâ's Une si longue lettre, Francesca Sanvitale's Madre e figlia, and Amy Tan's The Joy Luck Club.” DAI 55.6 (December 1994): 1552A. Pennsylvania State University.
• Gerard, Albert. “Sembene's Progeny: A New Trend in the Senegalese (Summer 1998): 76-93.
• missing pages 450-51
• Jaccard, Anny-Claire. “Les visages de l'Islam chez Mariama Bâ et chez Aminata Sow Fall.” Nouvelles du sud7 (1986-1987): 171-182.
• Jackson, Kathy Dunn. “The Epistolary Text: A Voice of Affirmation and Liberation in So Long A letter and The Color Purple.” The Griot 12 .2 ( Fall 1993): 13-20.
• Jackson, Tommie Lee. An Invincible Summer: Female Diaspora Authors. Trenton: Africa World Press, 2001. Chapter 8: “Madness as a Response to the Female Situation of Disinheritance in Mariama Bâ's So Long A Letter and Scarlet Song.” 143-66.
• Jagne, Siga Fatima
  • “African Women and the Category ‘Woman’ Through the Works of Mariama Bâ and Bessie Head.” DAI 55.12 (June 1995): 3837 A. SUNY Binghamton.
  • “Mariama Bâ (1929-1981).” Postcolonial African Writers: A BioBibliographical Critical Source Book. Ed. Fushpa Naidu. Westport, CT.: Greenwood Press, 1998. 59-74.
• Joseph, George. “Centralité excentrique: la maison comme non-lieu dans Une si longue lettre de Mariama Bâ.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press 2003.
• Ka, Aminata Marga. “Ramatoulaye, Afssatou, Mireille et Mariama Bâ.” Notre Librairie 81 (octobre-decembre 1985): 129-134.
• Kabia, Mohamed Saidu. “La Sociologie du langage féminin dans le roman francophone.” Francographies: création et realité d'expression française. Colloque de Fordham University 26-28 mars 1992. Actes II. Ed. Jacques Macary. New York: Société des Professeurs français et francophones d'Amérique, 1993.
• Kamara, Gibreel M.
  • “The Feminist Struggle in the Senegalese Novel: Mariama Bâ and Sembene Ousmane.” Journal of Black Studies 32.2 (November 2001): 212-28.
  • “The Feminist Struggle in the Senegalese Novel. Mariama Bâ and Sembene Ousmane.” Journal of Black Studies 212. Vol. 32, No. 2. November 2001.
• Kembe, Milolo. “L'image de la femme chez les romancières de l'Afrique noire francophone.” Fribourg, Switzerland: Editions Universitaires, 1986.
• Kemp, Yakini. “Romantic Love and the Individual in Novels by Mariama Bâ, Buchi Emecheta and Bessie Head.” Obsidian 113.3 (Wimer 1988): 1-16. Arms Akimbo: Africana Women Contemporary Literature. Ed. Janice Lee Liddell. Gainesville: University Press of Florida) 1999. 147-61.
• Kempen, Laura Charlotte
  • Mariama Bâ, Rigoberta Menchu, and Postcolonial Feminism. New York: Peter Lang, 2001
  • “Words of Deliverance: The (Re)constitution of the Disenfranchised Feminine Subject in Selected Works of West African and Latin American Women Writers.” DAI 60. l (July 1999): 118. University of Washington
• Kerns, Anne Michelle. “L'Autobiographie chez les Stnegalaises francophones.” MA Thesis 1992. Syracuse University.
• King, Adele. “The Personal and the Political in the Work of Mariama Bâ.” Studies in Twentieth Century Literature 18.2 (Summer 1994): 177-188.
• Kingue, Angèle and Odile Cazenave. “Pour une approche comparée des oeuvres africaines d'expression française: quelques exemples appliques.” French Review 70.1 (October 1996): 65 -80.
• Klaw, Barbara. “Mariama Bâ's Une si longue lettre and Subverting a Mythology of Sex-Based Oppression.” Research in African Literatures 31.2 (Summer 2000): 132-150.
• Korn, Ambroise. Ed. Dictionnaire des Oeuvres littéraires négro-africaines de langue française. Sherbrook: Naaman, 1983.
• Lambrech, Regina. “Three Black Women, Three Autobiographers.” Présence Africaine 123, (troisième trimestre 1982): 136-143.
• Larrier, Renée
  • “Correspondance et création littéraire: Mariama Bâ's Une si longue lettre.” French Review 64.5 (April 1991): 747-753.
  • Francophone Women Writers of Africa and the Caribbean. Gainesville: University Press of Florida, 2000.
  • “Inscriptions of Orality and Silence: Representations of Female Friendship in Francophone Africa and the Caribbean.” Communication and Women's Friendships: Parallels and Intersections in Literature and Life. Ed. Janet Doubler Ward and JoAnna Stephen Mink. Bowling Green: Bowling Green State University Popular Press, 1993. 181-194.
• Lee, Sonia. “Le Thème du bonheur chez les romancières de l'Afrique occidentale.” Présence francophone 29 (1986): 91-103.
• Lenk, Cynthia. “Race, Gender, and Personal Power in Selected Contemporary Caribbean Works of Fiction.” DAI 52.09 (March 1992): 3273A. University of Arkansas.
• Linkhorn, Renée. “Le Contrepoint romanesque dans Un chant écarlate de Mariama Bâ.” Revue francophone de Louisiane 6.2 (Winter 1991 ): 73-86.
• Little, J.P. “The Legacy of Medea: Mariama Bâ, Un chant écarlate and Marie Ndiaye, La Femme changée en buche.” Modern Language Review 95.2 (April 2000): 362.
• Liu, Kai -Ling. “The Unsent/Unanswered Letter in Epistolary Fiction by Modern Women Writers of Color.” DAI 56.03 (September 1995): 917A. Pennsylvania State University.
• Locey, Lenita C. “A Woman's Burden in Une si longue Lettre.” Revue francophone de Louisiane 11.1 ( 1987): 48-52.
• Lyonga, Pauline. “Uhamiri or a Feminist Approach to African Literature: An Analysis of Selected Texts by Women in Oral and Written Literature.” DAI 46.07 (January 1986): 1940A. University of Michigan.
• Madubuike, Ihechukwu. The Senegalese Novel: A Sociological Study of the Impact of the Politics of Assimilation. Washington, D.C.: Three Continents Press, 1983.
• Makward Christiane, Odile Cazenave. “The Others' Others: ‘Francophone’ Women and Writing.” Yale French Studies 75, Fall 1988: 190-207.
• Makward, Edris. “Marriage, Tradition and Woman's Pmsuit of Happiness in the Novels of Mariama Bâ.” Ngambika: Studies of Women in African Literature. Ed. Carole Boyce Davies and Anne Adams Graves. Trenton: Africa World Press, 1986. 217-281.
• Mbawa, Sahr Yombi. “Négritude et roman féministe en Afrique de l'Ouest francophone.” MAI 38.6 (December 2000): 1449. San Jose State University.
• McElaney-Johnson, Ann
  • “Epistolary Friendship: ‘La Prise de parole’ in Mariama Bâ's Une si longue lettre.” Research in African Literatures 30.2 (Summer 1999): 110-121.
  • “The Place of the Woman or the Woman Displaced in Mariama Bâ's Une si longue lettre.” CLA Journal 37.l (September 1993): 19-28.
• McNce, Lisa
  • “Selfish Gifts: Senegalese Women's Autobiographical Discourses.” DAI 57.07 (January 1997): 3015A. Indiana University.
  • Selfish Gifts: Senegalese Women's Autobiographical Discourse. New York: Peter Lang, 2000.
  • Miller, Christopher L. Theories of Africans. Chicago: University of Chicago Press, 1990. 246-293.
• Miller, Elinor S. “Two Faces of the Exotic: Mariama Bâ's Un chant écarlate.” French Literature Series (1986): 144-147.
• Miller, Mary-Katherine. “(Re)Productions of Self: Colonialism, Infanticide, and Amobiography in the Works of Mariama Bâ, Aminata Sow Fall, and Marguerite Duras.” DAI 53.11 (May 1993): 3896A Yale University.
• Millstone, Amy B. “Review: Un chant écarlate.” African Book Publishing Record 10.3 (1984): 150-154.
• Milolo, Kembe. L'Image de la femme chez les romancières de l'Afrique noire francophone. Fribourg, Suisse: Editions Universitaires, l986.
• Mojola, Ibiyemi. “The Onus of Womanhood: Mariama Bâ and Zaynab Alkali.” Writing African Women: Gender, Popular Culture and Literature in West Africa. Ed. Stephanie Newell. London: Zed Books, 1997. 126-136.
• Mokwenye, Cyril
  • “La polygamie et la révolte de la femme africaine moderne.” Peuples noirs, peuples africains 31 (janvier, fevrier 1983): 86-94.
  • “Une lecture d'Une si longue lettre.” L'Afrique littéraire 65-66 (1982): 59-64.
• Mortimer, Mildred
  • “Enclosure/Disclosure in Mariama Bâ's Une si longue lettre.” French Review 64.1 (October 1990): 69-78.
  • Journeys Through the French African Novel. London: Heinemann, 1990. 133-147.
• Motogi, Junko. “A Study of Mariama Bâ's Un chant écarlate: The Author's View on Interracial Marriage.” Studies in French Language and Literature, The Seminar on French Language and Literature in Kyoto University 14 (1985).
• Mouralis, Bernard. “Une parole autre: Aoua Kéita, Mariama Bâ et Awa Thiam.” Notre Librairie 117 (avril-juin 1994): 21-27.
• Mudimbe-Boyi, Elizabeth. “Les voix multiples in Bâ's Une si longue lettre.” Unpublished.
• Murtuza, Miriam. “The Marriage and Divorce of Polygamy and Nation: Gender, Religion and Class in Mariama Bâ's and Sembene Ousmane's novels.” In: Ada Uzoamaka Azodo. Ed. Emerging Perspectives on Mariama Bâ. Trenton, N.J.: Africa World Press, 2003.
• Muthoni, Wanjira. “La Femme et les problèmes sociaux chez les romancières noires francophones.” Thèse: Montpellier III, 1986.
• Mwanza, Wales B., Ed. A Study Guide to Scarlet Song. Harlow: Longman, 1993.
• Ndomaina, Aiah Konigbea. “Repetition, Resistance and Renewal: Postmodern and Postcolonial Narrative Strategies in Selected Francophone African Novels.” DAI 59.05 (November 1998): 1568A. Ohio State University.
• Nfah-Abbenyi, Juliana Makuchi. Gender in African Women's Writing. Bloomington: Indiana University Press, 1997.
• Niang, Sada
  • “Modalités de la signification littéraire chez Mariama Bâ et Aminata Sow Fall.” The Growth of African Literature: Twenty-Five Years After Fourah Bay. Ed. Edris Makward, Thelma Ravell-Pinto and Aliko Songolo. Trenton: African World Press, 1999. 123-133.
  • “Modes de contextualisation dans Une si longue lettre et L'Appel des arènes.” The Literary Griot 4.1-2 (Spring/Fall 1992): 11-125.
• Njage, Judith. Notes on Mariama Bâ's So Long A Letter. Nairobi: Heineman Educational Books, 1984.
• Nnaemeka, Obioma
  • “Contre la clôture: espace et architecture de la liberté chez Mariama Bâ.” Literary Griot 6.l (Spring 1994): 61-70.
  • “From Orality to Writing: African Women Writers and the (Re)lnscription of Womanhood.” Research in African Literatures 25.4 (Winter 1994): 137-157.
  • “Mariama Bâ: Parallels, Convergence, and Interior Space.” Feminist Issues 10.1 (Spring 1990): 13-35. The Growth of African Literature: Twenty-Five Yean After Dakar and Fourah Bay. Ed. Edris Makward, Thelma Ravell-Pinto and Aliko Songolo. Trenton: Africa World Press, 1998. 197-213.
  • “Urban Spaces, Women's Spaces: Polygamy as Sign in Mariama Bâ's Novels.” The Politics of (M)Othering: Womanhood, Identity, and Resistance in African Literature. Ed. Obioma Nnaemeka. London/New York: Routledge, 1997. 162-191.
• Nnamdi, Joseph
  • “De grand-mère en petite-fille ou la relativité du féminisme chez Gabrielle Roy et Mariama Bâ.” Colloque international Gabrielle Roy. Ed. André Fauchon. Winnepeg: Presses Universitaires de Saint-Boniface, 1996. 653-666.
  • “Dichotomie Nord-Sud dans la critique féministe de Mariama Bâ.” La Francophonie sur les marges. Ed. Carol J. Harvey. Winnepeg, MB.: Presses Universitaires de Saint-Boniface, 1997. 299-3 U.
• Nwachukwu-Agbada, J.O.J. “‘One Wife Be for One Man:’ Mariama Bâ's Doctrine for Matrimony.” Modern Fiction Studies 37.3 (Autumn 1991): 561-573.
• Obiechina, Emmanuel
  • “Female Perspectives in African Literature.” In: Nwayibu. Phanuel Egejuru and Ketu Katrak. Eds. Trenton, N.J.: Africa World Press, 1997, 39.
  • “Feminine Perspectives in Selected African Novels.” ALA Bulletin (African Literature Association) 23.1 (Winter 1997): 33-46.
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